Whistling in the dark

Went to see the Deadly Gentlemen at the Cluny 2 in Newcastle this past Wednesday. It was a Jumpin’ Hot Club gig – they put on lots of folk, alt-rock good stuff on in the area.

Serious Sam Barrett opened. A guy from Leeds singing country…I had an amusing misheard lyric moment on one of his songs.  ”She’s as pretty as the hair on the mossad? what?!!…spoke to him between sets to ask him what he was singing…She’s as pretty as the heather on the moorside  - makes a lot more sense. : )

Gregory Liszt is the banjo player from Crooked Still. We saw them at the Cluny 2 also. They are amazing and the venue was packed that night. Greg Liszt was very entertaining and as soon as I saw this new project he was doing was coming I immediately bought tickets. I was stunned that there weren’t more people at the gig, maybe people were scared of winter weather.

Happy to document a very fun gig (their first ever in England). First off they are really talented musicians – Mike Barnett on fiddle, Stash Wyslouch on guitar, Sam Grisman on bass, and Greg Liszt on vocals and banjo. They bring to mind a cross between Chris Thile and Mike Ford from Moxy Früvous bluegrass mixed with speed, the ability to communicate lyrics that are super-quick and clever. See for yourself.

Love Hobo Rockstar cause it reminds me of Kitteh and Pip.

Kitteh and Pip the Laugh-Out-Loud Cats

Shot videos while my battery lasted with Greg’s blessing (I asked before they went on stage).  Shot it with my new Kodak Zi8 with the internal microphone. The neat thing about the Zi8 is that it can also take an external mic (though I didn’t bring one).

I was pretty close (2nd row) and there was an empty seat in front of me that I could lean the camera on as a makeshift stabilizer. The Zi8 is pocketsize and many people mistake it for a largish smartphone. Nope, just a decent pocket video camera that shoots HD.  Should have also brought another recent purchase a portable, rechargeable power supply for when your battery runs out…oh well.

Shot the videos up until the battery went dead which to be fair I didn’t charge it before I left the house so it was on half strength from shooting random stuff.

Wish it would have lasted to the end. The encore was especially great. The small but enthusiastic crowd cheered them on to get back on the stage. They agreed to play another song but did it unplugged, off the stage – near the door with the crowd on their feet. I was not even 2 feet away from them. It was in the dark and awesome.

It would be great to see them in a festival setting like the Cambridge Folk Festival; they’d be loads of fun in one of the tents.  The next night they were going to be at Celtic Connections in Glasgow. Check out their myspace page for upcoming gigs.

Random extra info: At one point during the gig, Greg asked if anyone in the crowd or the band plays a banjo. He thinks they’re cool and that people should pick it up. Just don’t give one to a beautiful woman anonymously according to this ask.mefi thread.  The consensus is it’s creepy.

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Signed playbill

Going to see Waiting for Godot with Patrick Stewart and Ian McKellan in Newcastle.

Have previously seen it at the Classic Stage Company in NYC starring John Turturro, Tony Shalhoub and Christopher Lloyd.

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Went with Kevin to see Gethsemane at the Theatre Royal in Newcastle on opening night on Tuesday. It is on until Saturday (with matinees on Thursday and Saturday.)

I love playwright David Hare. One of my all-time favorite theatre experiences was written by him – Dame Judi Dench starring in “Amy’s View,” from the third row center on Broadway. At the end of the first act I actually gasped. I also thoroughly enjoyed his “The Vertical Hour.” His ability to write emotional dynamics for brilliant actors makes for thrilling theater. (Andrew Scott was my discovery for that production.)

“Gethsemane,” deals with recent British political scandals and the brutal compromises people at all levels make. Reviews: Ion Oxford Tube (I like this one’s description of the set.), Guardian, Telegraph, Evening Standard, Independent, BBC Newsnight panel discussion (I don’t agree with what the panel says but the intro features a good synopsis of the play.). The reviews are mixed, glowing or unnecessarily harsh.

Tamsin Grieg is flawless as a beleaguered politician. Amusingly, I had to point out to Kevin where he knew her from – the very awesome Black Books (Booklovers, misanthropes, Dylan Moran and Bill Bailey fans all should see this immediately.).

Stanley Townsend plays shady fundraiser Otto as a cross between Boss Hog from the Dukes of Hazzard and a mobster from a Guy Ritchie movie – it works. One of the people on the BBC Newsnight panel called the character anti-Semitic, as does the article here. He is a sleazy character in the play and for those playing guess the political figure he is based on – he would seem to be based on Lord Levy, a Jewish, former fundraiser for the Labour party. There is nothing in the play to suggest he is Jewish. The only connection is in the minds of those watching associating the character with a real person. There is nothing to suggest this character represents the Jewish people. I find it dumb and offensive for it to be labeled anti-Semitic.

The rest of the cast are as follows: Jessica Raine plays the troubled daughter of Tamsin Greig’s character Meredith. Gugu Mbatha-Raw is Meredith’s adviser. Nicola Walker is the idealist teacher Lori, Daniel Ryan plays her highly-educated and simple husband who works for Otto. Pip Carter is Otto’s world-weary assistant Frank. Anthony Calf plays the prime minister (Kevin hated his performance, I didn’t mind it.). Adam James plays a sleazy journalist.

The set by Bob Crowley is well done, a modern-looking white box which serves convincingly as a number of different settings with the addition of a few props and at times the use of it as a projection screen. Fast-paced videos to music are also projected onto it to serve as transitions between scenes. See this review for a nice description or another more detailed description can be found at Vocal Eyes (See the Show Notes downloads.). They do audio-descriptions at performances for blind and partially sighted people. They will be at Saturday’s upcoming matinee in Newcastle and in Cambridge on Saturday the 21st.

The criticism I would levy against the play is it seems to still be rough. It seems at times like the outline for an outstanding play / story with the plot elements in place but the nuanced emotional dynamics that I like in his plays are just not fully there.

Learned a new word from the play – Gesthemane. Gesthemane is a garden at the foot of the Mount of Olives (Gat Shmanim in Hebrew) believed to be the place where Jesus spent the night before the crucifixion in great anguish / doubt. Religion is brought up a few times in the play. In addition to the emotional dynamics this is another place where I think it could have had more meat.

Gateshead Millenium Bridge

The weather was not too cold. We parked on the Gateshead side of the river and walked across the Millennium Bridge to the Theatre Royal. This way we didn’t have to navigate Newcastle’s many one-way streets. It was a really pleasant walk. On the way back the water in the river was so still the reflections of the lights from the bridges and buildings were amazing. We definitely want to go back for an evening to take photos on long exposures with a tripod.

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